Shelby Mattingly has over sixteen years of financial, management, and event planning experience, in both the for-profit and nonprofit sectors. She holds a Bachelor of Fine Arts in theatre performance from Denison University and a Master in Public Administration with a concentration in nonprofit management from The University of Colorado Denver. She is a committed volunteer, dedicating hours to many organizations including Girls on the Run of the Rockies, Big Brothers Big Sisters, Ronald McDonald House and Casa de Paz. She is currently the president of the Colorado Women’s Chamber of Commerce Downtown Power Partners Group and the Chair of the Aurora Cultural Arts District Stakeholders Group. Shelby has been with Inside the Orchestra since 2012, and has been thrilled to commit her professional career to centering children in the world of the arts.
Lauren Harrison is an arts professional with experience in theater, hospitality, and nonprofit event management. She holds a bachelor’s of fine arts degree in Musical Theater from Webster University, and a graduate degree in Arts Management and Program Development from the University of Denver. Lauren is thrilled to be part of the team at Inside the Orchestra and looks forward to furthering her commitment to arts education and community engagement.
Argentinian-American Steven Aguiló-Arbues enjoys his roles as a conductor, vocal coach, répétiteur, and recitalist. Outside of his work with Inside the Orchestra, he conducts the Boulder-based choir The Renaissance Project (specializing in Renaissance a cappella choral music). His love for opera has led him to work with companies like Central City Opera, Sarasota Opera, Opera Colorado, The Atlanta Opera, Crested Butte Music Festival, and the Miami Music Festival. He has also served on the faculties of the Manhattan School of Music, Centro Studi Lirica in Italy, Metropolitan State University of Denver, and Colorado State University in Fort Collins. He holds a Bachelor of Music degree from the University of Colorado (Boulder) and a Master of Music degree as well as Professional Studies Certificate from the Manhattan School of Music. Mr. Aguiló-Arbues is also fluent in Spanish and English, helping him to communicate with countless students while educating them in music.
Dan has a Master of Arts in Music from the University of Denver. He has written over 500 arrangements that are played all over the world. Dan has taught music at the University of Colorado Boulder, Metropolitan State University, Colorado Christian University and Cherry Creek High School. He is currently the conductor of the Mercury Ensemble. He has also conducted the Colorado Ballet and the Denver Municipal Band. Dan has performed with numerous recording artists including Andrea Bocelli, Diane Reeves, Mel Tormé, Melissa Manchester, Barry Manilow, Natalie Cole, Bernadette Peters, Ray Charles, Johnny Mathis, Lyle Lovett, Neil Sedaka, Dionne Warwick, Michael W. Smith, Leslie Uggams, Amy Grant, John Denver, Bob Hope, Charlie Pride, Chuck Berry, Charlie Daniels, Kenny Rogers, The Canadian Brass, The Irish Tenors, The Moody Blues, Mannheim Steam Roller, The O’Jays, Kool and the Gang, Dave Brubeck, Phil Woods, Aaron Copland, Richard Stolzman, Andre Watts, and many more. He has performed four times for Presidents of the United States. He can be seen in the recently released PBS special 3 Mo’ Divas. He has recorded with the Colorado Symphony, The Boulder Brass, Rare Silk, and can be heard on Fanfare for the Uncommon Woman by Joan Tower. He has performed with the The Denver Brass, Denver Chamber Orchestra, Colorado Chamber Players, Forever in Blue Jeans, Central City Opera, The Colorado Symphony, Mercury Ensemble and many touring Broadway shows such as Phantom of the Opera, Annie, The Producers, Thoroughly Modern Millie, Annie Get Your Gun, Big, Peter Pan, and others. Dan has taught at the Grenoble Jazz Summer camp in Grenoble France. Dan is very excited to be conducting Tiny Tots. He has a passion for conducting, performing, composing, and music education. “The role of an orchestra in the 21st century isn’t just playing, it’s about developing future audiences and performers.” – Leonard Slatkin